1 00:00:48,000 --> 00:00:53,500 ... 2 00:00:54,432 --> 00:00:55,332 ... 3 00:00:57,408 --> 00:00:59,308 I'm sorry, Mr. Truffaut. 4 00:01:00,192 --> 00:01:04,292 This theatrical suicide, this staging scene unworthy of Alfred Hitchcock. 5 00:01:04,292 --> 00:01:08,092 No, Mr. Truffaut, I don't believe it not. But finally, you saw the body. 6 00:01:08,092 --> 00:01:11,092 It's not difficult to understand that gripping a gun is natural. 7 00:01:11,092 --> 00:01:14,092 How do you expect that I could put force a weapon in this hand? 8 00:01:14,092 --> 00:01:17,092 I'm not saying you killed him, I say you could have done it. 9 00:01:17,092 --> 00:01:20,092 Agree that there is reason to wonder. 10 00:01:20,352 --> 00:01:23,892 The universal studios, which are not aware of anything, 11 00:01:23,892 --> 00:01:26,492 suddenly learn your presence in their premises 12 00:01:26,492 --> 00:01:30,012 and discover at the same time the death of Alfred Hitchcock. 13 00:01:30,012 --> 00:01:34,892 Before entering these studios, you should have announced yourself. Who are you? 14 00:01:34,992 --> 00:01:36,712 I don't see you, Besides, this ice cream, Antain. 15 00:01:36,712 --> 00:01:39,592 Mr. Truffaut, as I told you, I represent universal studios. 16 00:01:39,592 --> 00:01:42,192 I am a lawyer, my mother is French. 17 00:01:42,192 --> 00:01:45,512 The death of Alfredi Tchoc will trigger an earthquake. 18 00:01:45,512 --> 00:01:49,552 Whatever happened, you are mixed up. If you don't tell me everything. 19 00:01:49,728 --> 00:01:53,632 Rigorously everything. You will escape perhaps to an incremation, 20 00:01:53,632 --> 00:01:57,632 but your person will definitely be over-considered as undesirable in the United States. 21 00:01:57,632 --> 00:02:01,632 Your person and your films. Resume. 22 00:02:02,784 --> 00:02:04,806 If you arrive there about half an hour, 23 00:02:04,806 --> 00:02:07,044 touch his forehead, you see if it is cold. 24 00:02:07,044 --> 00:02:09,544 We don't do anything before laboratory intervention. 25 00:02:11,040 --> 00:02:14,940 You have arrived, Lyenne Demiheur. But yesterday you were there. 26 00:02:14,940 --> 00:02:17,340 When you left this office, Was Mr. Hitchcock alive? 27 00:02:17,340 --> 00:02:18,740 Obviously, I'm dying to tell you. 28 00:02:18,740 --> 00:02:21,040 You have a little way cynical for choosing your words. 29 00:02:21,040 --> 00:02:23,540 Excuse me, that's one way to speak, I am upset. 30 00:02:23,540 --> 00:02:25,040 This death is for me sorrow, you can't... 31 00:02:25,040 --> 00:02:29,340 We will have to convince ourselves of this, M.-Trifot. Tell me about it. 32 00:02:30,720 --> 00:02:34,820 Mr. Hitchcock arrived around 3 p.m., I guess, from his editing room. 33 00:02:34,820 --> 00:02:40,796 No, no, no. From the beginning, I tell you, so, you hit? Yes. 34 00:02:40,796 --> 00:02:42,796 However, you had that Wouldn't anyone be there? 35 00:02:42,796 --> 00:02:45,796 Indeed, I was told so, but you never know. Who, did you say? 36 00:02:45,796 --> 00:02:48,796 I repeat to you, Mr. Hitchcock, a of his collaborators, I no longer know. 37 00:02:48,796 --> 00:02:50,796 But finally, what what is interrogation? 38 00:02:50,796 --> 00:02:52,796 I'll make you again, we have ahead of us an hour 39 00:02:52,796 --> 00:02:54,796 maximum before the events do not fade away. 40 00:02:54,796 --> 00:02:57,296 I repeat, I am here to help you, 41 00:02:57,296 --> 00:03:02,296 let's at least develop our version of the facts. So yesterday... 42 00:03:03,648 --> 00:03:05,548 So yesterday... 43 00:03:07,488 --> 00:03:10,079 I first turn on the light because the room 44 00:03:10,079 --> 00:03:12,388 is in the dark and I put my things down. 45 00:03:15,360 --> 00:03:18,260 Then I walk around the office. 46 00:03:36,192 --> 00:03:37,632 Are you looking for something? 47 00:03:38,016 --> 00:03:41,212 No, no, I was mostly very very impressed. 48 00:03:41,212 --> 00:03:43,294 I don't know if you're going back often in France, but Mr. 49 00:03:43,294 --> 00:03:45,412 Hitchcock is considered there like a great filmmaker. 50 00:03:45,412 --> 00:03:47,052 And at the same time, I underestimate. 51 00:03:47,052 --> 00:03:48,889 Finally, it's another history, in a magazine where 52 00:03:48,889 --> 00:03:50,652 I worked a lot, we used to. 53 00:03:50,652 --> 00:03:53,692 He is a cinema notebook. Do you know notebooks? 54 00:03:53,692 --> 00:03:56,812 Mr. Hitchcock insists that the studio receives them. 55 00:03:58,560 --> 00:04:01,900 So the idea was to make a very long interview with Mr Hitchcock 56 00:04:01,900 --> 00:04:05,860 to produce a beautiful book with photos, scene drafts, 57 00:04:05,860 --> 00:04:07,420 show the reverse side of the tapestry. 58 00:04:07,420 --> 00:04:09,420 All this invisible work that there is behind each film, 59 00:04:09,420 --> 00:04:13,660 but Mr Hickcock agreed, finally... I thought so. Did you think so? Yes. 60 00:04:14,260 --> 00:04:17,460 All this is incomprehensible. Don't don't be discouraged, Mr Trifot, 61 00:04:17,460 --> 00:04:20,860 resume concretely, you do around the office, and then... 62 00:04:22,080 --> 00:04:22,980 And then... 63 00:04:23,904 --> 00:04:28,704 Yes, I put my tape recorder to try it, 64 00:04:28,704 --> 00:04:33,004 I take out my things and find myself alone. 65 00:04:33,004 --> 00:04:36,604 Yes, that's it, finding myself alone, I started dictating some texts 66 00:04:36,604 --> 00:04:40,504 with the intention of sending them to my collaborator in Paris. Your collaborators? 67 00:04:40,504 --> 00:04:45,204 Yes, my coach film assistant, my production house, Lucette de Givray. 68 00:04:46,176 --> 00:04:47,076 And it's not bad there. 69 00:04:48,192 --> 00:04:52,092 While I was dictating, I had abruptly the feeling of a presence. 70 00:04:55,296 --> 00:04:56,196 Thanks, what are you? 71 00:05:02,112 --> 00:05:05,212 Mr Truffaut, I presume you are. Oh, I'm... I'm sorry. 72 00:05:05,212 --> 00:05:12,012 Don't apologize. I'm Alma Hitchcock. Enchanted. Excuse me. Veriglade. 73 00:05:12,012 --> 00:05:16,612 Speak French. THANKS. My English is so terrible. 74 00:05:16,612 --> 00:05:19,612 You've tried nuts. Nuts? 75 00:05:19,612 --> 00:05:22,612 It is sovereign for language learning. 76 00:05:22,612 --> 00:05:26,016 Their oil acts on the neurons. Here. Look 77 00:05:26,400 --> 00:05:28,512 inside. The proof. 78 00:05:28,512 --> 00:05:30,612 It looks like a little brain. 79 00:05:31,776 --> 00:05:35,676 THANKS. And you love your movies? Coming from him... 80 00:05:35,676 --> 00:05:41,676 We saw it twice I moaned. A once for Jules... Once for Jules. 81 00:05:41,676 --> 00:05:46,676 It's so shocking. THANKS. You know Jean Renoir, obviously. 82 00:05:46,676 --> 00:05:50,676 Yes, very good. You know he lives in some white people here? Yes, yes, I know. 83 00:05:50,676 --> 00:05:53,676 I'll try to go see him, but the book will leave little time. 84 00:05:53,676 --> 00:05:58,676 You will really write a book on and-I-en? Yes. 85 00:05:59,616 --> 00:06:02,816 Like I told your husband in our telegram exchange, 86 00:06:02,816 --> 00:06:05,616 a book will analyze each of us of his films as a cinephile. 87 00:06:05,616 --> 00:06:07,216 He seemed touched by my proposal. 88 00:06:07,216 --> 00:06:10,016 No, but Marie still has a lot not to be taken, you know. 89 00:06:10,016 --> 00:06:14,216 After psycho, Riruindo and Vertigo. He can do much better. 90 00:06:14,216 --> 00:06:20,216 In your place, it is this Renoir who I will make a book. On Renoir? 91 00:06:20,216 --> 00:06:25,192 But Renoirs is famous. And then? And then? 92 00:06:25,632 --> 00:06:28,672 Think that I, François Truffaut, who only three unfortunate films were made, 93 00:06:28,672 --> 00:06:30,686 I could contribute, however little it may be, 94 00:06:30,686 --> 00:06:32,952 knowledge that the world whole of Jean Renoir would be 95 00:06:32,952 --> 00:06:34,952 an intolerable pretension on my part. 96 00:06:35,552 --> 00:06:38,272 What you are saying there is not not very nice for Richie. 97 00:06:40,032 --> 00:06:43,892 How so? Not very nice? This gives you don't mind making him known. 98 00:06:45,504 --> 00:06:45,904 Oh. 99 00:06:46,944 --> 00:06:51,044 Madam, your husband is not busy at all the place that should be his. 100 00:06:51,244 --> 00:06:53,284 Mr. Hitchcock is cruelly underrated in America. 101 00:06:53,484 --> 00:06:56,284 You have seen the horrors that the newspapers Have New Yorkers written about psychos? 102 00:06:56,484 --> 00:06:59,884 Ah, they didn't understand anything. They don't simply don't take it seriously. 103 00:07:00,084 --> 00:07:01,484 The critics are often right, 104 00:07:01,684 --> 00:07:04,924 but in certain areas, precisely, the one that concerns Mr. Hitchcock, 105 00:07:05,124 --> 00:07:11,084 he inevitably misses the truth. And you weren't critical? Yes. 106 00:07:12,672 --> 00:07:15,290 Besides, when I prepared the 400 shots, I 107 00:07:15,290 --> 00:07:18,072 spent half my time in the cinema notebook. 108 00:07:18,072 --> 00:07:19,783 We shouldn't have push a lot to 109 00:07:19,783 --> 00:07:21,572 Let's watch a movie and its director. 110 00:07:21,572 --> 00:07:24,572 The rest of the time, I was put in scene and I only wanted one thing. 111 00:07:24,572 --> 00:07:26,572 Check out the reviews! 112 00:07:28,032 --> 00:07:29,932 which, in both case, was quite unfair. 113 00:07:31,680 --> 00:07:34,880 Critics always imagine that filmmakers only think about business. 114 00:07:35,280 --> 00:07:36,180 It's stupid! 115 00:07:36,680 --> 00:07:38,311 Even the directors the poorest scene 116 00:07:38,311 --> 00:07:40,080 dream as secretly as make masterpieces. 117 00:07:40,180 --> 00:07:43,280 And that's why they fail most of the time. Oh, really? 118 00:07:43,380 --> 00:07:46,880 Yes, yes, it was Algebraic. Algebraic? Yes. 119 00:07:48,576 --> 00:07:51,516 Good cinema is an art of travel. 120 00:07:51,516 --> 00:07:55,416 The filmmakers are here to shake the rules, to transgress. 121 00:07:55,416 --> 00:07:58,876 A good director will therefore multiply the false trails, the little games, 122 00:07:58,876 --> 00:08:01,676 entertain the audience to be able to say then important things. 123 00:08:01,676 --> 00:08:04,396 This is what the critics don't like not. They feel that they are being manipulated. 124 00:08:04,396 --> 00:08:09,196 Now, your husband is the greatest of manipulative, hence the hostility of critics. 125 00:08:09,600 --> 00:08:13,464 They feel like Mr. Hitchcock distracts students instead of edifying them. 126 00:08:13,464 --> 00:08:15,841 The worst of them have ended up inventing this 127 00:08:15,841 --> 00:08:18,364 opposition revolt between work of reflection and work 128 00:08:18,364 --> 00:08:19,024 entertainment. 129 00:08:21,504 --> 00:08:24,204 I didn't understand a single word of what you just said. 130 00:08:24,704 --> 00:08:28,104 But I love listening to you. You have so much passion. 131 00:08:35,520 --> 00:08:37,420 and chief and suspense. 132 00:08:40,128 --> 00:08:40,896 Madam... 133 00:08:41,952 --> 00:08:44,692 My book will have no other ambition than to reveal to the world 134 00:08:44,692 --> 00:08:50,732 the true genius of your husband. Songeé like last April in New York, 135 00:08:50,732 --> 00:08:54,572 a reviewer almost dissuaded me from it do, going so far as to insinuate that this book 136 00:08:54,572 --> 00:09:00,252 would damage my reputation as a filmmaker. So, how do you see this book? 137 00:09:02,304 --> 00:09:06,904 Your husband once said, the murders he you have to film them like love scenes. 138 00:09:06,904 --> 00:09:11,204 And love scenes like murder. Well we are going to make a love book 139 00:09:11,204 --> 00:09:14,880 and we will build it like murder. Stop! Stop! 140 00:09:18,624 --> 00:09:19,584 Like murder, you 141 00:09:19,968 --> 00:09:21,324 did you really say that? 142 00:09:21,564 --> 00:09:24,124 Yes, yes, I understand that today, it could take an unfortunate turn, 143 00:09:24,124 --> 00:09:29,124 but it was a rather literary formula. Ms. Mich Coquente will testify... Finally... 144 00:09:30,144 --> 00:09:31,044 And then... 145 00:09:32,448 --> 00:09:35,348 Then we were Alma, Hitchcock and me. 146 00:09:40,320 --> 00:09:44,180 And this love book we will construct it as murder. 147 00:09:44,180 --> 00:09:48,760 I'll be the cop who leads a examination. An interrogation? Yes. 148 00:09:50,304 --> 00:09:54,924 In the first scene of Psycho, why did you make the man shirtless 149 00:09:54,924 --> 00:09:58,404 while Janet Lee wears a bra? For what? 150 00:09:58,404 --> 00:10:04,004 That is not the point, Mr Truffaut. Janet Devry for being the greatest, 151 00:10:04,004 --> 00:10:08,324 she wants to do it. It's a pity. Hello, Mr. Hitchcock. 152 00:10:08,324 --> 00:10:13,524 Oh, Hitchie, you're a child. You think Is it funny that we act like this? 153 00:10:19,392 --> 00:10:20,292 Easter Hitchcock. 154 00:10:22,656 --> 00:10:30,556 Thank you for receiving my recipes and accepting a bottle with your experience. 155 00:10:32,064 --> 00:10:34,764 François, we would like you appear to be grateful. 156 00:10:35,324 --> 00:10:37,924 Put yourself in the spotlight, for me. 157 00:10:39,168 --> 00:10:41,068 And an América, she hates... 158 00:10:43,488 --> 00:10:48,888 Uh... In America, they call you each. Purpose we in France, we call you Mr. Itchcock. 159 00:10:50,112 --> 00:10:55,212 Thank you. Thank you so much, Francois. So, full light, Hirsch. 160 00:10:56,160 --> 00:11:01,060 Did you have a good trip? How have you found your hotel? 161 00:11:01,060 --> 00:11:05,060 Do you have time to take a shower? A shower! 162 00:11:05,060 --> 00:11:08,060 Oh, what if you're going to terrorize François? 163 00:11:15,264 --> 00:11:19,564 Oh, French wine. For me, it's throne. 164 00:11:20,736 --> 00:11:22,636 It was chosen by my friend Chabrol. 165 00:11:24,672 --> 00:11:28,392 I am healthy, my redemption. Oh dear. 166 00:11:32,832 --> 00:11:33,732 ... 167 00:11:34,368 --> 00:11:36,268 I'm scratching my head over it. 168 00:11:37,268 --> 00:11:40,268 It is indeed the wine that Graskelli opens at the start of windows on course 169 00:11:40,268 --> 00:11:43,268 to hide his protruding daughters with James Stewart. Precisely. 170 00:11:45,024 --> 00:11:46,656 Happy birthday, Mr Redcock. 171 00:11:47,328 --> 00:11:48,228 You know. 172 00:11:49,728 --> 00:11:50,628 Oh, kind. 173 00:11:55,104 --> 00:11:55,504 Ooh 174 00:11:57,696 --> 00:11:58,596 You know what? 175 00:11:59,616 --> 00:12:03,516 It's my birthday too. We were born the same year. 176 00:12:03,516 --> 00:12:07,016 – Um, the same day? – Oh, no! I'm much younger. 177 00:12:07,016 --> 00:12:10,016 My birthday is tomorrow. 178 00:12:12,096 --> 00:12:15,996 Ah, well, happy birthday, ma'am. The same year, almost the same day, 179 00:12:15,996 --> 00:12:18,996 it is a sign from heaven. I blame myself fatally to arrive empty-handed. 180 00:12:18,996 --> 00:12:22,996 Don't worry, the gift for Alfred suits me completely. 181 00:12:22,996 --> 00:12:25,996 Glass of blood, Mrs. Hitchcock. 182 00:12:32,736 --> 00:12:33,636 What is it? 183 00:12:34,272 --> 00:12:35,172 Cheers! 184 00:12:46,368 --> 00:12:49,708 In France, the newspapers talk a lot of your new film, The Birds. 185 00:12:49,708 --> 00:12:51,708 I assume you are in the middle of editing. 186 00:12:56,640 --> 00:12:58,540 Foswai is in the process of close the children. 187 00:13:00,288 --> 00:13:05,908 Ah yes, I do editions, the assembly, here in a side room. 188 00:13:05,908 --> 00:13:09,428 But here in America, no one cares. 189 00:13:09,428 --> 00:13:13,788 We only talk about the death of Marilyn Monroe for Kriegsch. 190 00:13:13,788 --> 00:13:16,788 Ah yes yes, it's a tragedy. She had a heel. 191 00:13:18,816 --> 00:13:22,264 Justine, a fragility, we felt in her game that she 192 00:13:22,264 --> 00:13:25,474 wouldn't grow old, that he would break right away, 193 00:13:25,474 --> 00:13:28,803 that she would keep forever the image of his youth. 194 00:13:28,803 --> 00:13:31,716 It is the privilege of those who die too quickly. 195 00:13:34,560 --> 00:13:37,460 I don't understand why men prefer blondes. 196 00:13:38,460 --> 00:13:40,460 Madam, she especially had a blondness of soul. 197 00:13:42,912 --> 00:13:46,093 Yes, well, anyway, people don't want 198 00:13:46,093 --> 00:13:49,132 know if it's a accident or suicide. 199 00:13:49,132 --> 00:13:54,172 Neither one nor the other, obviously. Pardon? It is of course a murder. 200 00:13:54,172 --> 00:13:56,972 Naturally, Mr. Sechkopf, you are right. 201 00:13:56,972 --> 00:14:01,172 When a pretty girl dies, he Always look for the culprit. 202 00:14:01,172 --> 00:14:04,172 As you say in France, look for the man. 203 00:14:07,296 --> 00:14:07,696 Oh? 204 00:14:09,984 --> 00:14:13,884 So for me, it's... John Houston. 205 00:14:13,884 --> 00:14:16,184 When Marilynne saw the misfitts on the screen, 206 00:14:16,184 --> 00:14:18,384 the shock was too severe, you don't believe. 207 00:14:18,384 --> 00:14:22,384 Very brilliant, François. Houston would not make a good culprit. 208 00:14:22,384 --> 00:14:27,384 He is too brutal, too direct. Too obvious. Do you understand? 209 00:14:28,320 --> 00:14:34,320 too obvious. To keep the public happy, we have to hold a more twisted assassin. 210 00:14:34,320 --> 00:14:37,320 Understand, my dear François, as unexpected as possible. 211 00:14:37,320 --> 00:14:42,320 I prefer a very respectable, a very good person. 212 00:14:42,320 --> 00:14:47,312 I would rather be a woman. A question of vice? No longer seems perverted. 213 00:14:47,312 --> 00:14:50,112 Is that what you mean? No, no, no. No question of vices. 214 00:14:50,112 --> 00:14:53,832 Question of sharpness. I think than fuller women, 215 00:14:53,832 --> 00:14:57,112 more uncompromising, when it comes to of feelings. I remain a man. 216 00:14:57,112 --> 00:15:02,204 A methodical brain. After all, it is an impossible crime to prove. 217 00:15:02,204 --> 00:15:05,864 The perfect murder. Hunting the still. 218 00:15:06,816 --> 00:15:08,716 Come on, first of all! 219 00:15:09,600 --> 00:15:10,000 Well... 220 00:15:11,328 --> 00:15:17,228 So for me, it's... Jody Maggio, the baseball player, his ex-husband, 221 00:15:17,228 --> 00:15:21,228 completely lost in the shenanigans of Hollywood and who is cracking... No? 222 00:15:21,228 --> 00:15:23,228 Arthur Miller, her current husband... 223 00:15:25,344 --> 00:15:29,244 An intellectual jealousy. Yes. 1000 hours, famous playwrights, 224 00:15:29,244 --> 00:15:33,244 see that George Cucorque, he despises, depicts his wife. 225 00:15:33,244 --> 00:15:35,244 You know how George Cocorque is a notorious homosexual, 226 00:15:35,244 --> 00:15:39,244 in love with women. So, in these cases, 227 00:15:39,244 --> 00:15:41,244 the husband may feel to be doubly ousted, 228 00:15:41,244 --> 00:15:47,244 that his virility is of no use to him, or worse than she had accused him of. Yes. 229 00:15:47,244 --> 00:15:51,244 So, very coldly, he killed. 230 00:15:52,992 --> 00:15:59,992 We have a close-up on a key, the key to the medicine cabinet. 231 00:15:59,992 --> 00:16:04,992 Two hands, we'll open the door and we're going to take the baking soda. 232 00:16:04,992 --> 00:16:07,992 Which are not sodium bicarbonate. 233 00:16:07,992 --> 00:16:12,992 And which does not replace not nefarious sums. 234 00:16:12,992 --> 00:16:16,992 Bravo François, very brilliant. You insult me. 235 00:16:16,992 --> 00:16:22,828 Only you forget that they were divorced. Divorce? Yes. 236 00:16:22,828 --> 00:16:24,788 Military and Married for 6 months. 237 00:16:27,840 --> 00:16:28,896 Allaga 238 00:16:29,376 --> 00:16:30,276 Your culprit? 239 00:16:35,136 --> 00:16:37,344 John Fitzgerald Kennedy. 240 00:16:37,728 --> 00:16:40,036 The president? Yes. 241 00:16:40,636 --> 00:16:45,836 He is in love with her. Everyone knows that. It’s tricky for his ambitions. 242 00:16:45,836 --> 00:16:49,236 Voters don't like not infidelities. 243 00:16:49,236 --> 00:16:54,836 They feel like if they cheat his wife, he makes them all crazy. 244 00:16:56,436 --> 00:17:02,236 Yes, yes, yes. It was a plausible motive. Don't forget the rules, François. 245 00:17:02,976 --> 00:17:07,876 The better would be the bad guy. The better the thread would be. 246 00:17:08,876 --> 00:17:11,676 It's very interesting what you say there, Mr. Hitchcock. 247 00:17:11,876 --> 00:17:13,876 We are at the heart of our book. 248 00:17:16,224 --> 00:17:18,124 You never had want to play Monro? 249 00:17:20,640 --> 00:17:23,840 She had his penis on her face. 250 00:17:24,540 --> 00:17:31,040 It was impossible to create suspense with her. She had no mystery. 251 00:17:32,160 --> 00:17:34,060 Except, after his death. 252 00:17:36,192 --> 00:17:42,232 death and the most rewarding moment of existence. Mr. Truffaut. 253 00:17:45,792 --> 00:17:47,692 These are his exact words. 254 00:17:48,192 --> 00:17:51,692 At the word ready, you think well that the formula struck me. And... 255 00:17:52,292 --> 00:17:55,092 You remember the tone What did Mr. Hitchcock have? 256 00:17:56,160 --> 00:17:58,460 His usual tone, seriousness, 257 00:17:58,660 --> 00:18:02,140 the very basis of his humor and perhaps even with all his style as a filmmaker, 258 00:18:02,340 --> 00:18:05,500 delivered the most extraordinary fels with extreme tranquility, 259 00:18:05,700 --> 00:18:07,100 as evidence of the world. 260 00:18:07,300 --> 00:18:12,140 So that all reality is turned upside down in a sort of fourth dimension. 261 00:18:12,340 --> 00:18:15,940 Nothing that evokes, I don't know, discouragement, depression? 262 00:18:16,140 --> 00:18:19,740 No, no, quite the contrary. Mr. Hitchcock is even mystified. 263 00:18:19,940 --> 00:18:23,140 He always had something happy thing. Continued? 264 00:18:26,688 --> 00:18:27,088 Yes. 265 00:18:28,416 --> 00:18:29,316 Yes. 266 00:18:30,240 --> 00:18:34,940 Do you understand? I expected it see passionate about the book project, 267 00:18:34,940 --> 00:18:38,140 but I found someone in front of me who kept slipping away. 268 00:18:38,140 --> 00:18:41,340 Remarkably supported by his wife, I must say, and at this moment, 269 00:18:41,340 --> 00:18:43,821 I was not far from think it was Madame 270 00:18:43,821 --> 00:18:45,940 Hitchcock who pulled all the strings. 271 00:18:46,656 --> 00:18:51,036 In short, I'm rowing. I rowed, I fought the sides to find a grip. 272 00:18:56,832 --> 00:18:58,703 Concerning the birds, I searched for Daphne's novel 273 00:18:58,703 --> 00:19:00,472 Dumourier and I must say that I didn't find it. 274 00:19:00,472 --> 00:19:02,472 Please forgive me for not having read it. 275 00:19:03,360 --> 00:19:07,260 But you don't excuse me I didn't speak it either. 276 00:19:09,312 --> 00:19:13,412 You mean you have adapted the book without reading it. 277 00:19:14,496 --> 00:19:18,396 I was told the story. That's enough. 278 00:19:18,396 --> 00:19:20,396 You know, it all happens time in Hollywood. 279 00:19:22,848 --> 00:19:25,788 I think that for a director of your quality, it was different. 280 00:19:25,788 --> 00:19:31,788 Oh, François, you are young, but speaks in addition to your French cinema, 281 00:19:31,788 --> 00:19:33,788 which is much more interesting. 282 00:19:33,788 --> 00:19:39,788 Here in Hollywood we make films to entertain children. 283 00:19:39,788 --> 00:19:41,788 No, not at all, Mr. Hitchcock. 284 00:19:41,788 --> 00:19:45,788 Your films are very adult, and I'm here to prove it. 285 00:19:45,788 --> 00:19:45,984 François, 286 00:19:46,368 --> 00:19:50,788 stay funny. You will bore the audience. 287 00:19:52,032 --> 00:19:52,932 ... 288 00:19:56,064 --> 00:19:57,792 No, it's crap. 289 00:19:59,040 --> 00:20:02,340 You have worked with writers William I. Rich, 290 00:20:02,340 --> 00:20:05,940 Raymond Chandler, you inspired by Patricia Ismice. 291 00:20:05,940 --> 00:20:11,940 Patricia is also the first name of our daughter, Patricia. Patricia? Yes. 292 00:20:12,940 --> 00:20:15,940 Can you tell me what you interested in books? 293 00:20:17,568 --> 00:20:20,468 What do these books have been worn at your job? 294 00:20:20,468 --> 00:20:26,468 It depends on the size of the books. Some make very good wedges for the table. 295 00:20:26,468 --> 00:20:30,468 The others are only good to be read. 296 00:20:39,744 --> 00:20:42,065 You don't remember maybe not, Mr. Hitchcock, 297 00:20:42,065 --> 00:20:44,124 but we are seen 7 years ago in Paris, 298 00:20:44,124 --> 00:20:45,904 at the Saint-Maurice studio when you did 299 00:20:45,904 --> 00:20:47,724 post synchronization from hand to collar. 300 00:20:47,724 --> 00:20:51,844 You are cateocif! How do you want that I forget a moment like this? 301 00:20:51,844 --> 00:20:55,724 You were so froze! Conchelet in Paris! 302 00:20:55,724 --> 00:20:57,724 Yes, my friend Chabrol and I we had been ridiculous, 303 00:20:57,724 --> 00:20:59,702 but you have to know that we were 304 00:20:59,702 --> 00:21:01,724 very very impressed to the idea of seeing you. 305 00:21:01,724 --> 00:21:03,936 It was December, at night, 306 00:21:03,936 --> 00:21:07,056 I had covered the studio courtyard in which had a small pond 307 00:21:07,056 --> 00:21:09,258 and blurred by the rocks of hand to the collar, we are 308 00:21:09,258 --> 00:21:11,276 went out without seeing that we We walked on the frozen pool. 309 00:21:11,276 --> 00:21:14,071 The ice cracked, we planes that 310 00:21:14,071 --> 00:21:16,736 the size and the amount of fun was ruined. 311 00:21:16,736 --> 00:21:20,836 You came out frozen. 312 00:21:20,836 --> 00:21:22,932 And now every time I take a 313 00:21:22,932 --> 00:21:25,076 whiskey on the rocks, I can't help myself, 314 00:21:25,076 --> 00:21:28,096 but to think of you two when I hear the ice cubes. 315 00:21:28,128 --> 00:21:30,128 and I feel all shocked in the glass. 316 00:21:30,128 --> 00:21:34,128 And at that time, you announced three projects. 317 00:21:34,128 --> 00:21:37,128 A remake of the man who knew too much, 318 00:21:37,128 --> 00:21:41,128 a more realistic film you have called the false culprit and vertigo. 319 00:21:41,128 --> 00:21:44,128 According to French novelists, Bois-Los and Narce Jacques. 320 00:21:44,128 --> 00:21:46,128 In these three films, you completed them all. 321 00:21:46,128 --> 00:21:48,128 Which is extremely rare in the history of cinema, 322 00:21:48,128 --> 00:21:52,128 three magnificent films, all totally different. 323 00:21:52,416 --> 00:21:55,320 C. François, that’s very kind. 324 00:21:56,640 --> 00:21:58,940 The False Guilty for example is a magnificent film, 325 00:21:58,940 --> 00:22:02,140 since it is made entirely of point of view of the incarcerated man. 326 00:22:02,140 --> 00:22:05,140 In the cinema notebook, we We really liked this film. 327 00:22:05,568 --> 00:22:09,948 But what is a film next to it? of your beau wins so delicious? 328 00:22:09,948 --> 00:22:15,948 Every time I go to film in France, I am aggressive on purpose to have some margin. 329 00:22:15,948 --> 00:22:19,228 For the moment, at Côte d'Azur, I lost 5 kilos. 330 00:22:19,228 --> 00:22:22,257 Yes, but coming back from the Côtes d’Asure after 331 00:22:22,257 --> 00:22:25,028 the filming, you were 10 kilos heavier. 332 00:22:27,168 --> 00:22:29,068 I really like the way of film the French Riviera for you. 333 00:22:30,624 --> 00:22:33,981 For example, at the beginning of Rebecca, when the magnificent mother having 334 00:22:33,981 --> 00:22:37,144 foot of the olive orange tree and that John Fontaine only has it for himself 335 00:22:37,144 --> 00:22:41,070 Rebecca, with this great mandelée house, there 336 00:22:41,070 --> 00:22:44,604 can't be more romantic that our English manors 337 00:22:45,604 --> 00:22:49,604 Rebecca, it's a good movie, a little old, maybe seen before 338 00:22:50,784 --> 00:22:53,724 Already seen? I assure you that for us, in France... 339 00:22:53,724 --> 00:22:58,524 It's a film that lacks a little love. As Mrs. Hitchcock just said. 340 00:22:58,524 --> 00:23:02,724 I didn't say it. Sorry, you you said “It’s Romantic”. And this? 341 00:23:02,724 --> 00:23:06,084 “It is Romantic” means “All the public will be good”! 342 00:23:08,084 --> 00:23:12,684 I watched the film again last week. It was very modern, very stylized. 343 00:23:12,684 --> 00:23:14,484 We feel that it is your first American-style film. 344 00:23:17,664 --> 00:23:22,564 An American, yes, but with a director English, with an English actor. 345 00:23:22,564 --> 00:23:25,564 And according to the novel by our man, English! 346 00:23:31,104 --> 00:23:33,216 Was the adaptation faithful to the 347 00:23:33,600 --> 00:23:35,004 novel? Very faithful! 348 00:23:36,864 --> 00:23:41,764 Let's talk about loyalty. Concentrate the story of the two goats 349 00:23:41,764 --> 00:23:46,264 who are eating the reels of a film adapted from a best-seller. 350 00:23:50,304 --> 00:23:52,204 To one wean, Adia, to the other. 351 00:23:52,896 --> 00:23:56,496 Phew! I prefer the book! 352 00:24:01,152 --> 00:24:05,252 The main character of the film, It's Mrs. Danvers, the housekeeper. 353 00:24:05,252 --> 00:24:10,252 Danvers darling, Danvers. Yanné is the witch. 354 00:24:10,252 --> 00:24:15,852 Rebecca, she is a fairy tale with a handsome prince and a beautiful ingenue. 355 00:24:15,852 --> 00:24:21,852 And Joan Fontaine, ce Cinderella. Yes, Sandrillon. 356 00:24:21,852 --> 00:24:23,472 This is what gives the film its universe. 357 00:24:23,472 --> 00:24:27,093 Versality, the way of filming is completely of today and yet 358 00:24:27,093 --> 00:24:30,472 as and when they arise the images, we find the carriage. 359 00:24:30,472 --> 00:24:34,122 Like a story that comes from far away, which brings to the surface the 360 00:24:34,122 --> 00:24:37,472 childhood elements, moments that we have all, I said, experienced. 361 00:24:37,472 --> 00:24:44,472 Precisely, cinderella, bot in the rain. Cinderella in the rain? 362 00:24:47,328 --> 00:24:51,428 It's a little-known fact. What we don't don't know in Sandrian's story, 363 00:24:51,628 --> 00:24:56,188 it's only the night of the ball it was raining heavily 364 00:24:56,388 --> 00:25:03,028 and cinderella was deceived. So, when she arrived at the castle, 365 00:25:03,228 --> 00:25:09,548 she was rushed by the great fireplace and she lifted her skirts 366 00:25:09,748 --> 00:25:15,736 and her petticoats in a way a little... Your lusts. 367 00:25:16,736 --> 00:25:21,736 She spread her legs in order to dry off. 368 00:25:22,736 --> 00:25:28,736 At this precise moment, the prince charming appeared in the room. 369 00:25:29,736 --> 00:25:33,736 And he told Cinderella, if For me, it's not too well cooked. 370 00:25:43,104 --> 00:25:45,804 Oh Hitchie, I can't say it. Dicleu in French. 371 00:25:50,304 --> 00:25:58,204 And at that very moment, the prince charms jumped in the room and he was saying, 372 00:25:58,204 --> 00:26:02,204 “Sondrion, if that is for me, no tricks! » 373 00:26:07,776 --> 00:26:13,781 You always said to my husband, to learn 374 00:26:13,781 --> 00:26:19,296 to write a good script, you have to train 375 00:26:19,296 --> 00:26:22,996 to tell jokes. Yes, it is very beneficial. 376 00:26:32,256 --> 00:26:33,156 It's... 377 00:26:34,272 --> 00:26:36,172 What I remember from this story, Mr. Hitchcock, 378 00:26:36,172 --> 00:26:39,972 despite the joy gayness of the conclusion, 379 00:26:40,972 --> 00:26:42,972 is what it reveals in you a great childhood spirit. 380 00:26:44,160 --> 00:26:46,508 I always had the impression that in your films, the 381 00:26:46,508 --> 00:26:48,900 facts, carriages, ghosts are never far away, 382 00:26:48,900 --> 00:26:52,020 that you make the films that you would have loved seeing you when you were little. 383 00:26:52,020 --> 00:26:55,180 Oh, François knows it's a bit of a little brother. Yeah, it was good. 384 00:26:59,424 --> 00:27:00,324 Well done, François. 385 00:27:01,440 --> 00:27:03,340 Well done, that's a bit too clear. 386 00:27:04,800 --> 00:27:09,540 Me, I'm like you in the cinema notebook. 387 00:27:09,540 --> 00:27:13,180 Me, I don't believe in the film, in the message. 388 00:27:14,112 --> 00:27:20,452 Me, I make thrillers for give advice to children. 389 00:27:23,172 --> 00:27:24,172 Go for it! 390 00:27:25,248 --> 00:27:26,592 first concert. 391 00:27:29,472 --> 00:27:32,412 never go to jail! 392 00:27:35,424 --> 00:27:38,324 STAY OUT OF JAIL! 393 00:27:49,728 --> 00:27:54,268 Thank you. Do you know the story of magic socks. 394 00:27:57,504 --> 00:28:02,404 Oh, let's talk film, Hitchie. 395 00:28:05,760 --> 00:28:09,660 Known to know, the king and the rock of the desert. 396 00:28:19,776 --> 00:28:21,408 That's right, very early. 397 00:28:22,080 --> 00:28:28,280 I have to go home. Francis, we are going celebrating our two birthdays tonight. 398 00:28:28,280 --> 00:28:32,280 I am absolutely counting on you. Simple little dinner party. 399 00:28:32,280 --> 00:28:34,272 No, I miss you. THANKS. 400 00:28:36,096 --> 00:28:37,728 But that's not possible. 401 00:28:38,784 --> 00:28:41,724 But I had prepared you French cuisine. 402 00:28:41,724 --> 00:28:44,444 Oh, Mrs. Hitchcock, it's you who do it, Flir. 403 00:28:44,444 --> 00:28:47,364 Uh, no, no. I'm going call my office in Paris. 404 00:28:47,364 --> 00:28:52,484 I have to work on my next one movie. Good. Well, poop called to post. 405 00:28:52,484 --> 00:28:56,204 D.C. The Long Distance course of order predicted. 406 00:28:57,504 --> 00:28:59,404 from here, to pay for the wake-up call. 407 00:29:01,728 --> 00:29:06,028 I will apprehend you to see everything to take you back to your hotel. 408 00:29:07,104 --> 00:29:08,004 But in the meantime... 409 00:29:10,368 --> 00:29:11,268 Be my guest. 410 00:29:13,440 --> 00:29:15,340 Good evening Mr Truffaut. 411 00:29:16,224 --> 00:29:17,124 It's good? 412 00:29:49,920 --> 00:29:51,420 and you were left alone. 413 00:30:01,440 --> 00:30:03,168 Did you call your office? 414 00:30:04,128 --> 00:30:04,896 Yes. 415 00:30:05,568 --> 00:30:07,968 Well, no? Yes or no? I called 416 00:30:08,352 --> 00:30:12,468 Paris but not my office. Really? Yes. Who? 417 00:30:13,344 --> 00:30:16,684 Listen, I might as well tell you, I was a little... indelica. Explain yourself. 418 00:30:16,684 --> 00:30:18,844 I'm sorry to have it made at the expense of the U.S. 419 00:30:18,844 --> 00:30:20,524 I also intended to repay the amount. 420 00:30:20,524 --> 00:30:23,484 That's not the problem, Mr. Treffaut. Stick to the facts. 421 00:30:24,364 --> 00:30:26,764 The truth is that I have called my friend Claude Chabrol. 422 00:30:26,764 --> 00:30:29,644 He is a former journalist from Caillet, today a director, like me. 423 00:30:30,124 --> 00:30:33,044 He is very invested in the book project. And then? 424 00:30:33,792 --> 00:30:36,961 And then, Chabrol explained to me than the big studios 425 00:30:36,961 --> 00:30:39,772 distrust transmitters on the intellectual scene. 426 00:30:40,272 --> 00:30:43,272 What criticism supports and what gives interviews with specialized newspapers. 427 00:30:43,552 --> 00:30:46,552 They fear that the public will reject them. This arrival, Sanwell, it is in his opinion, 428 00:30:46,852 --> 00:30:49,012 Mr Hitchcock feared something similar. 429 00:30:50,304 --> 00:30:54,064 The book the spawns. He tried to dissuade me. With reason? Yes. 430 00:30:56,064 --> 00:30:58,728 Chabrol advised me to write a letter to Mr. 431 00:30:58,728 --> 00:31:01,624 Hitchcock to prick it to the point, what I did. 432 00:31:01,624 --> 00:31:03,424 A letter? Yes. 433 00:31:04,044 --> 00:31:06,674 I wrote the letter, I got it entrusted to the studio doorman 434 00:31:06,674 --> 00:31:09,304 so that it arrives without wait at the Hitchcocks. 435 00:31:10,044 --> 00:31:11,044 And that's it. 436 00:31:11,808 --> 00:31:16,608 The rest, I arrived this morning first at the studio as I was asked. 437 00:31:18,336 --> 00:31:19,236 I listen. 438 00:31:20,928 --> 00:31:21,948 I told you everything. 439 00:31:22,448 --> 00:31:26,488 Time is running out, Mr. Treffaut, tell, try to remember. 440 00:31:26,488 --> 00:31:28,288 This must all make sense. 441 00:31:31,296 --> 00:31:32,064 Yes. 442 00:31:33,792 --> 00:31:35,692 or if you want... 443 00:31:36,672 --> 00:31:40,172 I arrived this morning, the first to studio, as I was asked, 444 00:31:40,772 --> 00:31:45,372 and finding myself alone, I... I started working for me. 445 00:31:59,712 --> 00:32:00,612 Good morning, Mr Truffaut. 446 00:32:01,728 --> 00:32:02,628 Good morning, ma'am. 447 00:32:03,744 --> 00:32:08,644 Mr. Hitchcock, is he with you? Hitchi? I think he was with you. 448 00:32:08,644 --> 00:32:10,644 No, I haven't read it. 449 00:32:15,168 --> 00:32:16,068 It's weird. 450 00:32:16,800 --> 00:32:18,700 This morning he left very early. 451 00:32:19,680 --> 00:32:22,180 Last night we were drinking champagne 452 00:32:22,180 --> 00:32:27,580 and he received a letter from the studios that he caused a lot of disruption. Didn't he sleep? 453 00:32:27,580 --> 00:32:28,380 I don't know. 454 00:32:29,300 --> 00:32:31,140 I heard him coming and going. 455 00:32:32,448 --> 00:32:35,348 I wonder what universe Salve wanted it. 456 00:32:36,480 --> 00:32:37,380 It's me who writes to him. 457 00:32:40,128 --> 00:32:42,221 I wanted him to know how much the book we are going to 458 00:32:42,221 --> 00:32:44,428 doing is important to him and for the history of cinema. 459 00:32:44,928 --> 00:32:48,328 Did you yell at him? I'll be frank, madam. Last night I was mad with rage. 460 00:32:48,828 --> 00:32:50,528 His behavior disappointed me greatly. 461 00:32:50,528 --> 00:32:52,296 I thought it was necessary give him a shock, 462 00:32:52,296 --> 00:32:53,828 but perhaps I learned a little hard. 463 00:32:53,828 --> 00:32:55,828 What did you say that was so mean? 464 00:32:56,628 --> 00:32:58,828 What I said were things we never expected... 465 00:32:59,728 --> 00:33:03,228 Basically, I wrote that if Mr. Hitchcock judged his last films a little weak, 466 00:33:03,228 --> 00:33:06,728 that they at least agree to discuss its successes of the past. Did you say that? 467 00:33:07,776 --> 00:33:10,596 You wrote that these last films were weak! 468 00:33:10,596 --> 00:33:11,876 It was for the quick pickets! 469 00:33:13,728 --> 00:33:15,628 Louis who has such confidence in you! 470 00:33:18,624 --> 00:33:21,524 And what are you doing there? I prepare the equipment. 471 00:33:23,424 --> 00:33:26,604 You are really very sure of yourself, Mr. Trouffon. It's like your press. 472 00:33:28,032 --> 00:33:28,896 Good night. 473 00:33:30,720 --> 00:33:33,620 Looks like someone used it. 474 00:33:37,344 --> 00:33:43,004 My little François, I received your letter and I appreciate your frankness. 475 00:33:43,724 --> 00:33:48,164 I recognize here the impertinence of young people from Caillet de cinéma. 476 00:33:48,884 --> 00:33:54,364 You are right. I think I have maybe talented. Formerly. 477 00:33:55,488 --> 00:34:00,728 I filmed a long time ago, two or three films that deserve interest. 478 00:34:00,728 --> 00:34:05,808 I quite liked nature on course, thanks to her being sober. 479 00:34:05,808 --> 00:34:09,870 But this war, like you say it with so much 480 00:34:09,870 --> 00:34:13,848 narrowly, we must obey a law of nature. 481 00:34:13,848 --> 00:34:20,648 Your intelligent nature convinced me of my limits. I had a lot of fun. 482 00:34:20,648 --> 00:34:27,624 And the public too, I think. So, I tell you this with relief. 483 00:34:27,624 --> 00:34:32,544 The birds on the last Alfred Hitchcock. 484 00:34:32,864 --> 00:34:39,744 Return quickly to Paris. Turn around so pretty movie. I would have liked to do it, I have done it, 485 00:34:39,744 --> 00:34:44,344 but in my time, a woman could live between two men, 486 00:34:44,344 --> 00:34:50,744 that if one was his father and the other his psychoanalyst. 487 00:34:52,512 --> 00:34:54,144 Be happy from Swa. Yours 488 00:34:54,528 --> 00:34:56,412 is here, the hitch. 489 00:35:07,680 --> 00:35:13,620 You know, we often call my husband, The Diabolical Mr. Hitchcock. 490 00:35:14,592 --> 00:35:16,492 But I believe that the devil... 491 00:35:16,992 --> 00:35:17,892 It's you. 492 00:35:33,312 --> 00:35:35,212 He should be home now. 493 00:35:39,360 --> 00:35:39,936 I'm an eraser! 494 00:35:41,472 --> 00:35:41,952 ... 495 00:35:47,904 --> 00:35:49,728 That's where we found the body. 496 00:35:50,784 --> 00:35:54,684 He was lying there with the gun in his hand. hand. We didn't touch it. 497 00:35:55,296 --> 00:35:57,196 Death was certain, obvious suicide. 498 00:35:58,944 --> 00:36:00,844 It was at that moment that Mrs. Tchocque called you. 499 00:36:01,844 --> 00:36:03,844 I was too upset to do anything. 500 00:36:05,952 --> 00:36:11,852 Thank you Mr MacGuffin. That will be all for now. Leave us. 501 00:36:14,016 --> 00:36:14,496 ... 502 00:36:16,896 --> 00:36:17,568 ... 503 00:36:20,160 --> 00:36:20,736 ... 504 00:36:23,520 --> 00:36:24,000 ... 505 00:36:34,944 --> 00:36:35,712 Ah! 506 00:36:37,248 --> 00:36:40,148 You know it's very tired of being dead. 507 00:36:41,148 --> 00:36:45,148 Don't say that, Hitchie. I I'm sure you loved it. 508 00:36:45,148 --> 00:36:47,148 You are such a necrophiliac. 509 00:36:47,148 --> 00:36:52,148 Don't forget, Madame Verve Hitchcock, that you speak with hunger. Ah! 510 00:36:52,148 --> 00:36:56,148 Yes, Frankie. I am dead. And it was you who killed me. 511 00:36:56,148 --> 00:36:58,148 What is it that killed you? 512 00:36:58,148 --> 00:37:01,148 Yes. You have accomplished a diabolically skillful murder, 513 00:37:01,148 --> 00:37:04,896 since you are arranged for someone someone else makes the gesture at your age. 514 00:37:04,896 --> 00:37:09,896 We took a nose trigger, but it's you, it's Boo, the culprit! Did you say? 515 00:37:09,896 --> 00:37:13,896 Boo, you made me think it's a Raimalan! Don the crime was almost perfect. 516 00:37:13,896 --> 00:37:16,896 Yes, when he comes forward so that his wife is accused of her place, 517 00:37:16,896 --> 00:37:21,896 she becomes aware of a murder and victim like me in this sad story. 518 00:37:21,896 --> 00:37:27,896 It's me, grass, Kenny. Oh, you murderer! Mr Eticoque, 519 00:37:27,896 --> 00:37:31,896 I never wanted to kill you, and you're not dead. I don't know what I'm saying. 520 00:37:32,544 --> 00:37:36,144 I know, I put you in the opposition of the innocent wrongly accused. 521 00:37:36,144 --> 00:37:39,144 But that's all I had as a means at my disposal, 522 00:37:39,144 --> 00:37:42,544 so that you feel the way you feel when you're wrongly accused. 523 00:37:42,544 --> 00:37:45,944 You can feel what we feel when you are unjustly accused. 524 00:37:45,944 --> 00:37:47,544 So that you will have this apprehension. 525 00:37:47,544 --> 00:37:52,744 Telling what is that word, the word for the emptiness. Void, void, void. 526 00:37:52,744 --> 00:37:59,344 Empty, empty, brutal, and this fear, this afraid... Quick, quick, shit, quick, shit. 527 00:38:00,384 --> 00:38:03,284 That's exactly it, but you know, fear, I know. 528 00:38:04,992 --> 00:38:06,892 I know, François. 529 00:38:07,392 --> 00:38:09,216 I feel it. 530 00:38:09,888 --> 00:38:11,712 This is what brings us together. 531 00:38:13,920 --> 00:38:20,320 Did you see how I adjusted the light? Focus! His face... The grave... 532 00:38:20,320 --> 00:38:24,820 Pfff... Bloodstains. The stay I let the black win. 533 00:38:24,820 --> 00:38:26,320 So that’s my makeup. 534 00:38:32,736 --> 00:38:35,236 What did you think? my little scene? 535 00:38:36,288 --> 00:38:37,152 Perfect. 536 00:38:39,264 --> 00:38:41,164 and my interpretation. 537 00:38:41,164 --> 00:38:41,568 Wonderful 538 00:38:41,952 --> 00:38:45,120 natural, as James said Mason in hot pursuit. 539 00:38:49,824 --> 00:38:53,164 I will never thank to these Claude Chabros. 540 00:38:55,008 --> 00:38:57,096 You don't have any more great admirer, believe it, 541 00:38:57,096 --> 00:38:58,908 he was very invested in the book project. 542 00:38:58,908 --> 00:39:02,880 Oh, I know that, François. Only one listens to it. 543 00:39:08,736 --> 00:39:12,016 Hidget is an old fool, we can't talk to him, he wallows in stupidity. 544 00:39:12,016 --> 00:39:14,496 But the bullshit is very attractive cunt. 545 00:39:15,836 --> 00:39:20,836 I love recording conversations, it saves a lot of time. 546 00:39:22,368 --> 00:39:25,068 At Place Athéonée, I saw him holding 3.5 hours in front of 12 journalists 547 00:39:25,068 --> 00:39:27,168 without letting go of a single confidence about himself. 548 00:39:27,168 --> 00:39:30,668 This guy will do anything to hide his soul. Do you think he has one? 549 00:39:30,668 --> 00:39:34,668 The flex is very fine. What would be well, it's so you can see the birds. 550 00:39:34,668 --> 00:39:37,668 He must have finished editing. It's hard to ask him that. 551 00:39:37,668 --> 00:39:40,560 Especially since his wife sticks to him, it is the shadow of the light. 552 00:39:40,560 --> 00:39:45,560 Alma, it seems he calls her Mrs. Hitchcock. Right, and she answers... Hitchi. 553 00:39:45,560 --> 00:39:49,560 A beautiful association of criminals, 40 years of organized crime. 554 00:39:49,560 --> 00:39:51,560 You know she started before him in cinema, she was an editor. 555 00:39:51,560 --> 00:39:54,560 She taught him everything. It's the eagle two-headed, the infernal couple. 556 00:39:54,560 --> 00:40:00,352 I have not one but two Hitch-Cops against me. ...I have intimacy like you... 557 00:40:00,992 --> 00:40:02,352 ...some who wanted both. 558 00:40:02,832 --> 00:40:05,552 Ah, the guy is quite nourishing so that everyone can find something for themselves. 559 00:40:05,832 --> 00:40:10,792 Thank you, blunder of Christianity, Godard of paradox, me of gastronomy, you. 560 00:40:10,992 --> 00:40:13,392 You are fascinated by his anxiety about the world. 561 00:40:13,712 --> 00:40:16,432 It's true that he does the editing in his office? It is very equipped. 562 00:40:16,632 --> 00:40:18,392 There is even a projector in the next room. 563 00:40:18,512 --> 00:40:21,512 It was in this office that you are right now? Yes. Are you alone? 564 00:40:21,752 --> 00:40:25,048 Yes, yes, you can speak. But in this case, you know... Oh... 565 00:40:49,344 --> 00:40:56,344 How to say no to young people the same? Come on, can we listen a little longer? 566 00:40:57,344 --> 00:40:59,344 In any case for the Hitchbook seems threadbare to me. 567 00:40:59,344 --> 00:41:02,344 But not at all, it's now Quit, it needs to be heard. 568 00:41:02,344 --> 00:41:05,344 For him, this book is a great opportunity to explain. 569 00:41:05,344 --> 00:41:08,344 Working on his statue, he will end up admiring himself. 570 00:41:08,344 --> 00:41:12,344 He would still have to be willing to speak? Knock it out, say the second one. 571 00:41:12,344 --> 00:41:14,344 Hit the complex, it's something you know how to do. 572 00:41:14,640 --> 00:41:17,640 I got drunk on murdering people for less than that. Thanks for the confluence. 573 00:41:17,640 --> 00:41:23,640 Hitchcock is like a safe. Attack it, it will open. Have you seen Rivette? 574 00:41:23,640 --> 00:41:28,640 Yes, he's doing a play with the nun by Diderot. That puts him in full swing. 575 00:41:28,640 --> 00:41:32,640 I wanted to take him to the big VFour, we ended up at Rivettes Bar. At the Rivettes bar? 576 00:41:32,640 --> 00:41:36,640 Yes, it's the street self-service Pierre Charon. It became his canteen. 577 00:41:36,640 --> 00:41:38,640 Oh, for Rivette. 578 00:41:40,896 --> 00:41:44,056 Mr Truffaut, looking at the edges. 579 00:41:46,176 --> 00:41:48,076 Yes or no? 580 00:41:51,456 --> 00:41:54,156 since all this, I might as well admit it to you, 581 00:41:54,156 --> 00:41:58,156 I tried to do what I advisor Chabrol, but... But? 582 00:41:58,156 --> 00:42:00,156 I couldn't open the door. 583 00:42:02,156 --> 00:42:05,156 Excuse me in French, the gods are against you. 584 00:42:06,156 --> 00:42:12,156 Even more bad news, the studios no longer want this book. 585 00:42:12,156 --> 00:42:14,156 Hitch is under contract. 586 00:42:17,760 --> 00:42:19,392 You are not going to give in to blackmail. 587 00:42:21,120 --> 00:42:23,020 Studios are powerful. 588 00:42:25,344 --> 00:42:27,244 But I even believe right to talk to you, right? 589 00:42:28,704 --> 00:42:32,604 Yes, yes, yes. A conversation. This is what our book will be. 590 00:42:33,888 --> 00:42:37,408 We still have the right to write what we say to ourselves, right? Yes yes. 591 00:42:38,496 --> 00:42:41,436 I arranged to see again all your movies several times. 592 00:42:41,436 --> 00:42:43,810 We will pass them all in review starting with 593 00:42:43,810 --> 00:42:45,956 your silent films made in England with your... 594 00:42:47,616 --> 00:42:49,516 collaboration ma'am 595 00:42:50,208 --> 00:42:53,108 Until the last images, which you just shot for the birds? 596 00:42:54,816 --> 00:42:55,716 Does that suit you? 597 00:42:57,216 --> 00:42:59,116 You're the boss, Frankie. 598 00:43:19,104 --> 00:43:20,004 for each film. 599 00:43:21,120 --> 00:43:24,700 You will tell me the circumstances, the development of the scenario, 600 00:43:24,700 --> 00:43:27,100 the situation of the film in the progress of your work, 601 00:43:27,100 --> 00:43:29,600 the staging problems they affixed to you, do you agree? Yes! 602 00:43:29,600 --> 00:43:31,620 We will also talk about good, bad scenarios, 603 00:43:31,620 --> 00:43:35,120 dialogues, special effects, editing, of the direction of the actors. Hmm hmm. 604 00:43:35,900 --> 00:43:41,620 I would first like to talk about... Take some the Jules and Jim shoot. Filming! 605 00:43:44,928 --> 00:43:50,028 Esquemad-Moiselle Jean-Morot, escaléatia, naughty girl. 606 00:43:51,708 --> 00:43:54,388 Naughty. I ask you sorry, Mr. Hitchcock. 607 00:43:55,584 --> 00:43:58,684 Esquelafé do do with both weapons. 608 00:44:01,248 --> 00:44:02,112 I don't know. 609 00:44:05,376 --> 00:44:08,036 ... 610 00:44:11,328 --> 00:44:14,268 feels that she is very in love with both men. 611 00:44:15,456 --> 00:44:19,836 And we also see that you, you you are very much in love with... 612 00:44:19,836 --> 00:44:24,116 ...the thing we both do...Darling, what was her character's name? Catherine. 613 00:44:24,116 --> 00:44:29,596 Catherine. You are very in love with Catherine. 614 00:44:31,968 --> 00:44:35,468 Mr. Hitchcock, you know better than me at acting. 615 00:44:35,948 --> 00:44:38,948 For her, feel the scenario of the film without bringing it closer, 616 00:44:38,948 --> 00:44:42,468 this is something very important. There are some who try to live it. 617 00:44:47,136 --> 00:44:50,716 The script is just an excuse. 618 00:44:51,648 --> 00:44:53,548 The scenario is only a ready text. 619 00:44:54,528 --> 00:45:00,428 A film is a set of complications. A film is just a series of complications 620 00:45:00,428 --> 00:45:05,428 in women without the motor. 621 00:45:05,428 --> 00:45:08,428 Yes, I agree with you, Mr. Hitchcock. 622 00:45:09,696 --> 00:45:11,688 Sometimes I wonder if we don't do 623 00:45:11,688 --> 00:45:13,436 films only for try to understand 624 00:45:13,436 --> 00:45:19,196 what we don't know about our feelings interiors. Hmm hmm. You, the French, 625 00:45:19,196 --> 00:45:22,436 hm, we have the impression let us watch your cinema, 626 00:45:22,436 --> 00:45:27,516 where you show us that actresses who you are in love with. Like... 627 00:45:27,516 --> 00:45:33,396 Roberto Rossellini is a Greek from Germany. No. Like Miss Jean Monroe. 628 00:45:34,196 --> 00:45:35,196 Moro. 629 00:45:36,116 --> 00:45:37,796 Jean Moro... 630 00:45:40,512 --> 00:45:41,376 It's something like that. 631 00:45:42,144 --> 00:45:44,970 You definitely have noticed that when a 632 00:45:44,970 --> 00:45:47,604 good actress puts everything at the service 633 00:45:47,604 --> 00:45:50,024 characters that you have imagined, you 634 00:45:50,024 --> 00:45:52,444 end up experiencing a feeling for her 635 00:45:52,444 --> 00:45:53,444 of affection. 636 00:45:53,444 --> 00:45:54,873 Actresses often feel and sometimes, 637 00:45:54,873 --> 00:45:56,084 make advances towards you, but they don't 638 00:45:56,084 --> 00:45:59,164 not so deceived. This is the character who gives himself to you. 639 00:46:00,576 --> 00:46:01,476 ...father of the woman. 640 00:46:03,360 --> 00:46:08,700 and he does the same thing. Madam Hitchcock sleeps with all his actresses 641 00:46:09,700 --> 00:46:11,200 in his dreams. 642 00:46:11,808 --> 00:46:14,708 As he fears her, he doesn't dare. 643 00:46:14,708 --> 00:46:21,708 So he puts them in James' arms Stewart, or Gregory Peck, and he's watching. 644 00:46:23,328 --> 00:46:24,348 like the tank. 645 00:46:25,632 --> 00:46:28,032 look at the canary, through 646 00:46:28,416 --> 00:46:29,932 the Ouvitra. 647 00:46:31,488 --> 00:46:36,388 I have my seductive style. These worldly women, frozen, 648 00:46:36,388 --> 00:46:39,888 who arrange to bring you in their bedroom, 649 00:46:39,888 --> 00:46:42,388 and who tear your shirt off. 650 00:46:43,872 --> 00:46:45,772 It's me who chooses these actresses. 651 00:46:46,848 --> 00:46:51,948 It must be very frustrating. Frustrating? For what? 652 00:46:52,748 --> 00:46:54,748 I also choose these actors. 653 00:46:56,256 --> 00:46:58,156 Did you wear the big one? 654 00:47:00,556 --> 00:47:04,556 A good husband shares everything with his wife. 655 00:47:06,048 --> 00:47:06,448 Hmm. 656 00:47:10,080 --> 00:47:11,616 And you, smash, 657 00:47:12,000 --> 00:47:15,980 which of your actresses did you prefer? 658 00:47:17,184 --> 00:47:21,084 The last one. Always. The last? She is really... 659 00:47:27,360 --> 00:47:31,260 I really like Jeanne Moreau. I really liked Marie-Dubois. 660 00:47:31,260 --> 00:47:33,260 You saw my previous film, Kill on the Planners? 661 00:47:33,260 --> 00:47:36,260 No, I wanted to see it, but I think not that he left this asevie. 662 00:47:36,260 --> 00:47:40,260 And you have a film on the way? Yes. 663 00:47:40,992 --> 00:47:44,492 Would you be interested, I have want to film a murder. 664 00:47:44,492 --> 00:47:46,692 But not just any die, eh. 665 00:47:46,692 --> 00:47:50,692 What I want to show is a crime of passion. A crime of passion. 666 00:47:50,692 --> 00:47:53,692 These are my favorites. It's an arquise, my lady Hitchcock. 667 00:47:53,692 --> 00:47:56,692 The right to divorce simplifies everything, we no longer kill ourselves for love. 668 00:47:58,656 --> 00:48:02,556 You never chose the actress? I wish he didn't have any of them. 669 00:48:03,360 --> 00:48:05,108 You know, in this kind of film, the mistress must 670 00:48:05,108 --> 00:48:06,560 be as interesting than legitimate wives. 671 00:48:06,560 --> 00:48:10,260 Right! So who are you thinking of? for the mistress? I hesitate. 672 00:48:11,136 --> 00:48:15,036 You don't want to turn with Madame Brigitte Bardot? 673 00:48:15,036 --> 00:48:19,036 Oh, no. I don't see you at all everything with a girl like that. 674 00:48:19,036 --> 00:48:22,036 Oh ma'am, I believe that protects you. 675 00:48:22,036 --> 00:48:24,970 Ok, hands down, we we love Brigitte Bardo very much. 676 00:48:24,970 --> 00:48:26,640 I know like you, but it's... 677 00:48:26,640 --> 00:48:29,440 Mr. Hitchcock, I always defend the innocent to be justly accused. 678 00:48:29,440 --> 00:48:33,080 And in my opinion, Brigitte Bardot is the asterity of innocence delivered to Lyon. 679 00:48:33,080 --> 00:48:39,120 Oh, Mrs. Hitchcock, I would love to make him a suspect. 680 00:48:39,120 --> 00:48:42,120 We'll talk about it again, Hitchie. 681 00:48:46,944 --> 00:48:51,484 I saw the photos of your actress again birds. Tipee and drain, she is very... 682 00:48:52,512 --> 00:48:53,524 very heticokaine. 683 00:48:54,720 --> 00:48:58,620 You mean cheater ice cream. 684 00:49:00,576 --> 00:49:02,476 I will introduce it to you. 685 00:49:03,648 --> 00:49:04,988 Well, I'll be charmed. 686 00:49:05,856 --> 00:49:07,776 Do you have two hours to give me? 687 00:49:08,160 --> 00:49:10,752 Right away? You don't have to tell anyone! 688 00:49:12,288 --> 00:49:13,188 Hmm. 689 00:49:14,304 --> 00:49:15,204 Come with me. 690 00:49:17,088 --> 00:49:20,988 I'll show you my little birds. 691 00:49:55,584 --> 00:49:56,352 see you next time. 692 00:50:31,872 --> 00:50:32,448 Yeah. 693 00:50:33,312 --> 00:50:37,212 when pouring this film. Tre-French Exaggeration. 694 00:50:37,212 --> 00:50:39,642 The sequence where the birds come to gather 695 00:50:39,642 --> 00:50:42,212 more and more numerous in front school and a master's degree. 696 00:50:42,212 --> 00:50:43,008 Implacable. 697 00:50:43,584 --> 00:50:45,821 We feel all the helplessness of the man in front of this 698 00:50:45,821 --> 00:50:47,964 which looks like the preparation for disaster. 699 00:50:47,964 --> 00:50:51,964 What I prefer is when she drives the car, 700 00:50:51,964 --> 00:50:54,265 her and two birds perched lean into the 701 00:50:54,265 --> 00:50:56,284 turns, in exactly the same movement. 702 00:50:56,284 --> 00:50:58,656 Yes, yes, it's a very pretty one metaphor for life together. 703 00:50:58,656 --> 00:51:01,336 where we are both one couple and two separated individuals. 704 00:51:01,336 --> 00:51:06,136 And you call them inseparable in French? I chose the birds. 705 00:51:06,136 --> 00:51:11,376 We call them Lovebirds. You find not the beginning of the film too long? 706 00:51:11,376 --> 00:51:13,376 No. 707 00:51:14,112 --> 00:51:17,083 The incredible strength of your film, Mr. Hitchcock, 708 00:51:17,083 --> 00:51:19,312 comes from the villain's personality. 709 00:51:19,312 --> 00:51:22,212 The best are always the best innocent. A madman, for example. 710 00:51:22,212 --> 00:51:25,112 Because Mala de Montal is not responsible for the harm he does... 711 00:51:25,112 --> 00:51:29,212 And a bird even less. A bird is incapable of premeditation. 712 00:51:29,212 --> 00:51:31,200 Are you sure? 713 00:51:32,160 --> 00:51:34,820 by definition, it seems to me that the absence of consciousness... 714 00:51:34,820 --> 00:51:39,420 If Buds told the story of a revenge... Are you revenge? 715 00:51:39,420 --> 00:51:41,820 Yes, revenge! 716 00:51:42,336 --> 00:51:43,236 Do you allow me? 717 00:51:49,632 --> 00:51:51,456 On the board! 718 00:51:59,040 --> 00:52:02,940 Let us imagine the scene, we we are no longer human beings, 719 00:52:03,140 --> 00:52:06,140 but huge, very greedy birds. 720 00:52:06,340 --> 00:52:11,740 We don't put a bunch, and others bird brings us... HUGE! 721 00:52:11,940 --> 00:52:18,940 Perfectly cooked, golden fist, just out of the oven, 722 00:52:19,140 --> 00:52:24,768 and we are going to taste her thighs, her arms. 723 00:52:25,632 --> 00:52:27,532 Okay, and how do you say plump? 724 00:52:30,240 --> 00:52:31,968 Uh, Dodi? 725 00:52:34,464 --> 00:52:36,364 You know, my father was poultry merchant. 726 00:52:36,364 --> 00:52:40,364 It was unbearable which made suffer to these innocent animals. 727 00:52:40,364 --> 00:52:43,968 Now we make them raise in chickens, 728 00:52:43,968 --> 00:52:47,364 illuminate day and night to that they lay more. 729 00:52:47,364 --> 00:52:51,364 We can imagine that until now they have been very patient. 730 00:52:52,224 --> 00:52:53,856 Milam! 731 00:52:54,528 --> 00:52:55,968 There! 732 00:52:56,832 --> 00:52:58,464 There! 733 00:52:59,040 --> 00:53:02,460 He doesn't talk about it, Brut. 734 00:53:05,376 --> 00:53:07,276 So he takes revenge! 735 00:53:12,192 --> 00:53:16,732 There you have it, the story of the Alfred Hitchcock, The Birds. 736 00:53:20,832 --> 00:53:22,929 Which I find very strong is that there is no 737 00:53:22,929 --> 00:53:24,932 not even this explanation in the film. 738 00:53:24,932 --> 00:53:28,732 Nothing, no justification, it is much more terrifying. 739 00:53:28,732 --> 00:53:32,732 You speak well François, we should make a book about it. 740 00:53:32,732 --> 00:53:36,732 No, a film is like love cannot be explained. 741 00:53:36,732 --> 00:53:39,732 In any case, it shouldn't be explained. 742 00:53:39,732 --> 00:53:43,732 A film like love need a little adventure. 743 00:53:47,328 --> 00:53:48,228 Anoméen Fab. 744 00:53:49,440 --> 00:53:54,980 who has loved each other for 40 years, like Mrs. Hitchcock and me, 745 00:53:54,980 --> 00:53:57,980 This is completely implausible. 746 00:53:59,424 --> 00:54:03,324 especially for a French person. I don't can't even make a movie of it 747 00:54:03,324 --> 00:54:07,324 because my wife will immediately think that I'm going to kill the woman. 748 00:54:09,888 --> 00:54:10,788 However, we should believe it. 749 00:54:14,208 --> 00:54:16,908 I once knew Salvador Dali. 750 00:54:16,908 --> 00:54:20,808 He made the settings of the dream in Dr. Edwards' house. 751 00:54:20,808 --> 00:54:24,408 François, you are a formidable policeman. 752 00:54:24,408 --> 00:54:29,508 Did you know why watch molds by Salvador Daly were so amazing 753 00:54:29,508 --> 00:54:31,808 that they went around the world? 754 00:54:34,944 --> 00:54:37,444 because she looks like to real watches. 755 00:54:37,444 --> 00:54:41,364 It was absolutely necessary that my birds look like real birds. 756 00:54:41,364 --> 00:54:44,448 It's a very lying film, you know. 757 00:54:44,832 --> 00:54:47,644 François, do you like to lie? 758 00:54:48,384 --> 00:54:54,684 If I told you no, you wouldn't don't believe it. Lying is a duty. 759 00:54:55,484 --> 00:54:58,084 You remember the scene in North by Northwest 760 00:54:58,084 --> 00:55:04,284 concarié groundé pursued by a plane. Yes, the whole world remembers it. 761 00:55:04,884 --> 00:55:07,284 You noticed, she is completely stupid. 762 00:55:08,640 --> 00:55:09,040 Yes. 763 00:55:09,600 --> 00:55:11,500 I always say it. All right. 764 00:55:11,500 --> 00:55:13,704 Because if you want get rid of a 765 00:55:13,704 --> 00:55:15,620 indiscreet person who prevents you from selling 766 00:55:15,620 --> 00:55:20,660 state secrets, you are not going to find a means of murder also parabisconte. 767 00:55:20,660 --> 00:55:22,300 Of course not, but that has no importance. 768 00:55:22,300 --> 00:55:26,100 The images are so effective that we don't ask any questions. Exactly. 769 00:55:26,100 --> 00:55:30,140 Because in cinema, the logic of the image is stronger than the logic of the brain. 770 00:55:30,140 --> 00:55:33,140 Absolutely. It is not necessary never tell the public. 771 00:55:33,140 --> 00:55:35,340 Otherwise it would seem who cares about him. 772 00:55:44,832 --> 00:55:46,732 I came, I am come, I came! 773 00:55:49,440 --> 00:55:50,340 Hello. 774 00:55:50,976 --> 00:55:51,876 Ah, a big deal. 775 00:55:53,568 --> 00:55:53,952 What? 776 00:55:55,392 --> 00:55:57,216 That's how it is, he speaks ultra-dead. 777 00:56:00,192 --> 00:56:01,092 I understand. 778 00:56:08,160 --> 00:56:09,060 It's a little love of car. 779 00:56:10,560 --> 00:56:13,900 The magnificent McGuffin, he says he's going be on drugs in 1.25 hours. 780 00:56:13,900 --> 00:56:17,260 He's going to be there for the... Oh, sorry, excuse me, François. 781 00:56:17,260 --> 00:56:23,020 Uh, he's going to go to a camera operator, he's going look for the cut list. The cuts. 782 00:56:24,000 --> 00:56:24,900 K.C. 783 00:56:25,728 --> 00:56:30,988 François, at the beginning of the film, this whole journey around San Francisco Bay, 784 00:56:30,988 --> 00:56:35,628 It's way too long, isn't it? No. It's the happy moment. 785 00:56:36,864 --> 00:56:40,044 It's so much fun, the progress of this love between Tipi and Dren and Rotelor, 786 00:56:40,044 --> 00:56:42,364 this passion that does not want to admit and which can gradually invade them. 787 00:56:42,364 --> 00:56:45,644 Ah, you prefer to cut in the second part of the film, 788 00:56:45,644 --> 00:56:47,764 when the birds become more and more threatening. 789 00:56:47,764 --> 00:56:51,764 But why do you want to cut? You should not remove an image. 790 00:56:55,488 --> 00:56:57,312 The new wave. 791 00:57:04,320 --> 00:57:06,460 François, you don't have me a lot... It's your best film. 792 00:57:06,460 --> 00:57:09,300 Every second is essential. We will understand it later, you will see. 793 00:57:09,300 --> 00:57:12,460 François, here, we are by device. Here, it's the studio that decides. 794 00:57:12,460 --> 00:57:15,140 I could hang up my film. Arrival in the small town 795 00:57:15,140 --> 00:57:17,740 where everything that happens aside from the mother-in-law's house. Oh no! 796 00:57:17,740 --> 00:57:22,340 You don't touch your mayor-in-law. Françoie, I have to cut my film 797 00:57:22,340 --> 00:57:25,900 because my film is guilty. Guilty of what? Francoy! 798 00:57:25,900 --> 00:57:27,780 I need your help. 799 00:57:28,992 --> 00:57:31,892 I'm from whatever... You pretend hand to cut your film? 800 00:57:31,892 --> 00:57:33,892 I would have the impression of commit murder! 801 00:57:34,944 --> 00:57:37,370 François who am I, all alone to think that 802 00:57:37,370 --> 00:57:39,844 my opinion is higher than a whole audience? 803 00:57:39,844 --> 00:57:42,844 You are the author! Oh, the author! He's the one who made the film! 804 00:57:42,844 --> 00:57:44,844 Do you believe that William Shakespeare is in demand 805 00:57:44,844 --> 00:57:46,844 his opinion to the public when he wrote his plays? 806 00:57:46,844 --> 00:57:50,844 Shakespeare was an actor, he felt the public reaction. 807 00:57:50,844 --> 00:57:51,504 Well you have to believe that... 808 00:57:51,504 --> 00:57:54,304 that these reactions were very favorable since Hamlet lasts more than 4 hours, 809 00:57:54,304 --> 00:57:56,304 your birds don't even make half of it. 810 00:57:57,304 --> 00:57:59,904 Shakespeare, he knew how to show Adheren kings and censers. 811 00:57:59,904 --> 00:58:02,704 Me, I know that showing men ordinary, and do you know why? 812 00:58:02,704 --> 00:58:04,504 So that your characters resemble their audience. 813 00:58:04,504 --> 00:58:06,704 No, because I am not than an ordinary man! 814 00:58:25,632 --> 00:58:26,532 Do you know Cluzo? 815 00:58:28,128 --> 00:58:30,028 It was during the war. 816 00:58:31,680 --> 00:58:35,440 Once a man wrote to me to complain, he told me 817 00:58:35,440 --> 00:58:40,180 “Since my daughter saw the devils, she refuses to take the bath. 818 00:58:40,180 --> 00:58:45,740 Since she saw psychosis, She doesn't refuse to shower. 819 00:58:45,740 --> 00:58:50,180 » I answered him “Send it to the dry cleaners. » 820 00:58:50,180 --> 00:58:53,260 Suits-shocks, finally be serious. 821 00:58:57,024 --> 00:59:01,924 Put it back properly. It was during the war. 822 00:59:02,688 --> 00:59:06,588 I'm going to go see the crow Cluzo and this crows terrified me. 823 00:59:07,188 --> 00:59:08,988 Those damn birds again? 824 00:59:08,988 --> 00:59:11,188 I was even more afraid that this film, I saw it in secret. 825 00:59:11,188 --> 00:59:12,588 It was forbidden for children. 826 00:59:13,536 --> 00:59:16,676 I slipped tremblingly into the room via the emergency exit, 827 00:59:16,676 --> 00:59:18,512 and I stayed until evening, because it seemed to me that 828 00:59:18,512 --> 00:59:20,316 it would be less dangerous to go out at nightfall. 829 00:59:20,316 --> 00:59:23,676 And besides, I felt better in front of this scary screen, 830 00:59:23,676 --> 00:59:26,060 where took place terrible things rather than 831 00:59:26,060 --> 00:59:28,396 in the circle completely frozen from my family. 832 00:59:29,664 --> 00:59:32,564 at the liberation Clouseau with the worst troubles. 833 00:59:33,600 --> 00:59:36,700 people who had spent all war to mess with the Germans, 834 00:59:36,700 --> 00:59:39,700 turned against his film in accusing him of having demoralized France. 835 00:59:39,700 --> 00:59:41,700 It was forbidden to work for a year. 836 00:59:42,912 --> 00:59:46,452 This is the first time that I encountered injustice, 837 00:59:46,452 --> 00:59:50,452 innocence alone against all, the crowd who tracks down the accused, like in your films. 838 00:59:51,264 --> 00:59:54,755 There is something that makes human organization, some are 839 00:59:54,755 --> 00:59:58,108 gifted to make up for the harm done the others and you are part of it. 840 00:59:58,108 --> 00:59:59,164 That’s what your films are for! 841 01:00:01,920 --> 01:00:03,820 You do not have the right to cut anything at Beurt. 842 01:00:08,544 --> 01:00:09,444 Evening fund. 843 01:00:11,328 --> 01:00:13,056 It's a cinema cost. 844 01:00:14,496 --> 01:00:18,396 In 100 years, no one, but no one will be interested. 845 01:00:19,584 --> 01:00:21,484 You can hear it. 846 01:00:22,368 --> 01:00:28,268 Who are you? Alfred Hedgecock. To contradict, François Truffaut. 847 01:00:31,296 --> 01:00:35,836 A film is no less profound than a book. Cinema is no longer an inferior art. 848 01:00:35,836 --> 01:00:37,596 To literature, your films are works 849 01:00:37,596 --> 01:00:41,436 in the same way as the 19th century novels. 850 01:00:42,240 --> 01:00:47,900 Yes I know. Do you deliver them, or which Alid stables we were talking about. 851 01:00:48,768 --> 01:00:52,668 by exploring our hauntings, our fantasies, what do you do other than art? 852 01:00:54,720 --> 01:00:55,680 I'll tell you, I'll tell you give points for the swap. 853 01:00:57,408 --> 01:00:59,308 I will confess to you my true crime. 854 01:01:01,824 --> 01:01:03,724 I just copy other people's art. 855 01:01:04,704 --> 01:01:06,844 because I have no originality. 856 01:01:08,352 --> 01:01:10,932 What do you say, Mr. Chikok? I did it very young. 857 01:01:10,932 --> 01:01:12,852 I'm not like Shakespeare. 858 01:01:12,852 --> 01:01:17,132 I don't know how to tell stories with kings, reborns, witches. 859 01:01:17,132 --> 01:01:19,412 So, I put a lot of murders. 860 01:01:20,928 --> 01:01:22,828 and some very pretty women. 861 01:01:24,864 --> 01:01:26,764 My films are dreams, you say, nightmare. 862 01:01:26,764 --> 01:01:29,464 This is how I hide behind my work, 863 01:01:29,464 --> 01:01:34,264 because his de Varseur wanted that I'm like everyone else. A copy? 864 01:01:34,764 --> 01:01:36,000 YOU? The greatest inventor 865 01:01:36,384 --> 01:01:38,264 in shape since Murnau? 866 01:01:40,704 --> 01:01:43,021 When I don't know how to move forward in writing a screenplay, 867 01:01:43,021 --> 01:01:45,304 when a scene gives me a problem, do you know what I'm wondering? 868 01:01:46,752 --> 01:01:50,092 What would Lou Beach have done, what would have said Renoir, what would Hitchcock have done? 869 01:01:53,088 --> 01:01:54,988 Did you steal my breasts? 870 01:01:55,776 --> 01:01:57,676 Not yet? 871 01:01:58,944 --> 01:02:00,444 I saw the 400 shots. 872 01:02:02,688 --> 01:02:03,588 Antoine D’Ouel. 873 01:02:05,760 --> 01:02:09,660 how just now to be too tough with a kid or also charming. 874 01:02:10,272 --> 01:02:13,172 I didn't go to prison like him, nor like you, I suppose. 875 01:02:14,016 --> 01:02:17,156 Good father put me in a cell at the police station for 5 minutes 876 01:02:17,156 --> 01:02:21,836 so that I feel the fate that reserve company turns to Gassant! 877 01:02:24,288 --> 01:02:26,188 I didn't have a master's degree, either. 878 01:02:27,936 --> 01:02:29,556 whether at Pont-Cielin or at home. 879 01:02:29,556 --> 01:02:33,476 I too felt prisoner of this childhood. 880 01:02:33,476 --> 01:02:38,436 I too looked at the adults hiding place, between two doors, in silence. 881 01:02:38,436 --> 01:02:42,236 I was very scared, but at the same time I was very excited. 882 01:02:44,064 --> 01:02:45,964 I look at my mother's friends. 883 01:02:47,808 --> 01:02:49,708 I could guess their stockings on their legs. 884 01:02:52,032 --> 01:02:54,332 I breathe their scents after their departure. 885 01:02:57,216 --> 01:03:00,066 I even happened to disguise myself as a woman, 886 01:03:00,066 --> 01:03:02,976 using clothes and my mother's makeup. 887 01:03:05,760 --> 01:03:06,144 Oh. 888 01:03:07,776 --> 01:03:11,096 I don't believe you ever told that, I didn't know? No. 889 01:03:12,768 --> 01:03:13,668 But you guessed it. 890 01:03:16,704 --> 01:03:20,204 François, why are you holding absolutely to do this book? 891 01:03:20,204 --> 01:03:24,204 Why are you recharging so much of my reputation? 892 01:03:27,264 --> 01:03:30,164 Because if cinema changed my life, it's because of people like you. 893 01:03:40,992 --> 01:03:43,584 Terribly nice to talk with you. 894 01:03:54,144 --> 01:04:00,044 Hello? No! No, no, no. I'll change my mind. I changed my mind. 895 01:04:00,044 --> 01:04:01,044 There will be no cut. 896 01:04:01,544 --> 01:04:04,044 And Mr. Truffaut, we must re-read the book and that he wants with me. 897 01:04:04,544 --> 01:04:07,481 Even if the studio sends a whole army of brilliant lawyers like you. 898 01:04:07,481 --> 01:04:08,044 Is that understood? 899 01:04:09,696 --> 01:04:12,596 There you have it, finally, reasonable, my garfin. 900 01:04:13,440 --> 01:04:17,340 No, no. It's really good. I am very happy. 901 01:04:18,144 --> 01:04:19,968 The little one, break away, see with my agent. 902 01:04:20,448 --> 01:04:21,408 I'm really happy to subscribe. 903 01:04:22,080 --> 01:04:22,980 see you next time. 904 01:04:24,384 --> 01:04:26,284 THANKS. 905 01:04:33,888 --> 01:04:37,788 I understood everything. But what who put you on the trail? 906 01:04:39,360 --> 01:04:43,660 an Englishman starts speaking French with an American lawyer, it's shady. 907 01:04:43,660 --> 01:04:49,900 Well done François. You see, Hitchie, you never pull off the perfect crime. 908 01:04:49,900 --> 01:04:52,780 There is always a moment where we fall into the trap. 909 01:04:52,780 --> 01:04:54,900 I should have been afraid with a name like that, McGuffine. 910 01:04:54,900 --> 01:04:57,400 It's your way of naming a false lead, is that it? 911 01:04:59,136 --> 01:05:02,076 except that I'm blundering from there it's more of a George Kaplan type. 912 01:05:02,716 --> 01:05:06,916 The Imaginary Spy of Death on the heels. Except... 913 01:05:07,356 --> 01:05:11,836 he is neither a lawyer nor a police officer. It's just an actor that I wanted to test. 914 01:05:12,876 --> 01:05:14,156 He was very good indeed. 915 01:05:16,896 --> 01:05:17,796 Francis. 916 01:05:19,296 --> 01:05:22,196 It was me who wanted to do the cuts on the birds. 917 01:05:22,196 --> 01:05:28,196 Universal is nothing to you. Small, he does what he wants in the house. 918 01:05:28,196 --> 01:05:33,196 This elected official is the main shareholder. Yes, let you be the boss in this office. 919 01:05:34,368 --> 01:05:36,268 Francis. 920 01:05:37,152 --> 01:05:41,052 I thought I could make it shorter my film with the help of a young Frenchman, 921 01:05:41,052 --> 01:05:43,052 future plan, bright here. 922 01:05:47,424 --> 01:05:49,248 Everything had shown me otherwise. 923 01:05:50,304 --> 01:05:52,204 If we made this book... 924 01:05:53,952 --> 01:05:55,852 You want to make a book with me, Mr. Hitchcock? Really? 925 01:05:59,616 --> 01:06:00,516 You have to say it yourself. 926 01:06:01,344 --> 01:06:02,880 We can soak everyone. 927 01:06:03,648 --> 01:06:08,448 height, director, producer, everyone, accept the audience. 928 01:06:11,808 --> 01:06:12,576 Here we go? 929 01:06:17,952 --> 01:06:21,812 Mr. Hitchcock, put yourself there. We're going to put a microphone on. 930 01:06:21,812 --> 01:06:24,852 I'm going to call an engineer at 200 and it would all be necessary to betray it there. 931 01:06:25,652 --> 01:06:29,652 Okay, Mrs. Hitchcock? Oh no, no, ah, yes, yes. 932 01:06:29,652 --> 01:06:32,652 You play such a role important to your husband. 933 01:06:32,652 --> 01:06:36,852 You know, it's an English tradition. 934 01:06:36,852 --> 01:06:41,852 At home, men are a little simple. They lack perversity. 935 01:06:42,144 --> 01:06:47,044 We are here to help them. Chalee wrote radio poems. 936 01:06:47,044 --> 01:06:53,044 His wife, Frankenstein. Stevenson made Treasure Island. 937 01:06:53,044 --> 01:06:58,044 It is Madame Stevenson Fanny, who suggested Dr. Jekyll and Mr. Hyde. 938 01:06:58,044 --> 01:07:03,044 I'm staying behind, Hitchie. I invent my little storms 939 01:07:03,044 --> 01:07:08,044 and I remain hidden deep in my village. Like the so-brontés. 940 01:07:08,160 --> 01:07:10,160 Did Hollywood please you a village? 941 01:07:10,160 --> 01:07:14,160 Oh! If you knew, Hollywood is very rural. 942 01:07:21,792 --> 01:07:24,692 I will tell you that you are Mayor Jane's art. 943 01:07:24,692 --> 01:07:29,692 Is this Mayor Jane Churchill? No, Jane Town Hall in Groven Square. 944 01:07:29,692 --> 01:07:31,692 They were a wonderful couple. 945 01:07:31,692 --> 01:07:34,445 But their relationship is based on a physical agreement 946 01:07:34,445 --> 01:07:36,692 a little special, a little milky. 947 01:07:36,692 --> 01:07:40,368 You see what I mean. But then, I went through that. 948 01:07:40,368 --> 01:07:43,408 and their nights are clearly less hectic than before. 949 01:07:43,408 --> 01:07:50,008 So they decide together to go see Merlin, their singer, 950 01:07:50,008 --> 01:07:52,928 who explains to them that Sanariano de Grave, 951 01:07:52,928 --> 01:07:55,368 it's just a little breakdown, passenger like that. 952 01:07:55,368 --> 01:08:02,244 Here, he's going to look in the closet. The socks... Magic! 953 01:08:03,072 --> 01:08:04,320 Ta-da! That the Order 954 01:08:04,704 --> 01:08:09,972 Archibald is going to put them there evening before going to bed. 955 01:08:11,372 --> 01:08:12,872 The Order Archibo is going there... 956 01:08:14,592 --> 01:08:16,492 And... And... 957 01:08:20,256 --> 01:08:24,596 He becomes a real stallion and all night, in every direction, 958 01:08:24,596 --> 01:08:29,116 Saïba, Saïb, Saib, He has one his wife, ten times. 959 01:08:31,296 --> 01:08:34,876 since the time you have been doing fear to others, and from home.